PYTHAGORAS AKADEMIE
PYTHAGORAS AKADEMIE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE
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Grundgesetz der Akademie

The Cosmic
Education Program

Introduction

Academic Institutes

Peter Hübner
Developer of the University

 

Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

VII.
SPACE AND TIME
IN MUSIC

The Concept of Space
in Music

The Two Ways of Experiencing Space

Space-Experience in
the Microcosm of Music

Space-Time Integration
in Music

Space-Time Fusion
through the Integration
of the Musical Spaces

The Integrated Play of
Time and Space

The Potential of the
Musician

The Relationship of
Rhythm and Tonality

Field of Cognition -
Enlivened Silence

The Core of Practising
the Art of Music

Conventional and
Modern Mechanisms
of Musical Performance

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

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UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
  PART   VII            
  THE PROCESS OF CREATING MUSIC            
         
 
The Core of Practising the Art
of Music


   
 
In true clas­si­cal mu­sic this fusion of space and time lies hid­den deep within the sub­atomic field of sound – be­neath the in­fi­nite, or­gan­ized di­ver­sity of its in­te­grated over­tone-me­chan­ics.

 
Sovereignty over the Subatomic Field of Sound
 
 
There­fore, mas­tery over the over­tone-me­chan­ics is the core of prac­tis­ing the art of mu­sic.

   
 
In the field of in­ter­pre­ta­tion, too, an in­te­grated, dy­namic sys­tem is re­quired to gain con­trol over all the com­po­si­tional pa­rame­ters for the space-time fusion in the mu­si­cal sound-space. Only through a tech­nol­ogy of over­tone con­trol ruled by higher con­scious­ness the mu­si­cian is ca­pa­ble of mak­ing au­di­ble a truly enli­vened mi­cro­cosm even in the acous­tic space.

 
The Integrated, Dynamic System of Overtone Control
 
 
Thus, con­trol over the rhythm proves to be the es­sen­tial key to open up the for­ma­tive space of mu­sic. And in the hands of a truth­ful mu­si­cian this golden magic key unites the in­ner com­po­si­tional logic with the outer prac­tice of per­form­ance.

 
Opening the Formative Space of Music
 
 
The proc­ess of in­ner com­pos­ing is not only analy­sis, but analy­sis and syn­the­sis melted into one, and on the basis of this unity, mu­sic re­sounds in the mind of the mu­si­cal crea­tor. Re­pro­duc­ing a com­po­si­tion with con­ven­tional physi­cal in­stru­ments, how­ever, suf­fers from the limi­ta­tions of tech­nol­ogy: it does not dis­play this men­tal unity di­rectly.

 
Unity of the Composition in the Art of Sound
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
     
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