Medizin Aktuell: As you show in your opera “Curse of Blessing: still” with some historical examples – up to our times.

Peter Hübner: Yes, this constantly returning dramatic debate of a very limited materialistic earthly world, which makes do with the first three main states of consciousness, and the cosmic worlds, which lie hidden behind those first three main states of consciousness runs through the opera “Curse or Blessing: yes” from beginning to end.

Medizin Aktuell: In this opera “Curse or Blessing: still” you show how, in different times, those people were dealt with, who reported on higher states of consciousness, and how the mental debate took place.

But in your following opera “Song of Life” everything suddenly appears very easy – a wise man enters the world scene with the technology to achieve higher states of consciousness, and immediately the artificial structure “of the so-called civilised world” collapses.

Here, the dramatic element is suddenly missing, which you show in your previous opera “Curse of Blessing: still”, and which for thousands of years in human history, provoked the persecution of all those people, which had broken through to higher cosmic worlds beyond deep sleep and had reported about it.

Is it suddenly so easy nowadays to achieve higher states of consciousness, as you show in your opera “Song of Life” – does it really happen that fast?
Is the power political opposition from the ranks of the three main states of consciousness and their strong advocates and/or defenders so slight that you think, when portraying this modern phase leap of our earthly world into the cosmic, you can do without all these dramatic details of debate, as you had still shown them so dramatically in your opera “Curse or Blessing: still”?

Peter Hübner: I would like to comment on this as follows: when a stupid person tries to argue with a wise man, it is not worthwhile for a reporter to write down all the rubbish, the stupid one utters loudly and without interruption in such an overbearing manner.

If you keep to this rule as a poet or author, you will very quickly get to the point where you do not report anything at all about the phase leap from the third to the fourth main state of consciousness, and the external dramatic processes connected with them. The wise man will mainly be silent and the stupid one or better the millions of stupid ones – especially among the mass media –, will continue to talk at the top of their voices.

That is why in my opera “Song of life”, I chose the truth and/or the wise man, taking into account what was worthwhile portraying, and therefore only a few comments of the wise man when the world scaffold collapsed – and I made do without the stupid screaming of the mass media and all those, who follow them blindly.

Everything the media utter so loudly and in a self-important manner – and that is practically everything they utter, because they utter everything loudly and in a self-important manner – will sink and disappear into nothingness the same way as these writers and reporters themselves.

The price of a limited, narrow-minded life in the first three main states of consciousness is that everybody, who makes do with it and those who take part in the so-called civilised world – i.e. everything that concerns their life –, will sink into nothingness – as if all that and they themselves had not existed.

What do we know nowadays about people, who lived at the time of Laotse, Confucius, of Christ and Buddha, of Pythagoras, Socrates or Plato? Hardly anything.

We see it in our times: after their death, even the bosses in large-scale enterprises, the top self-important politicians, the talkative media reporters disappear from the awareness of the general public so quickly that after a short while we think they have never lived at all – and probably they have not.

Because the person who only knows the first three main states of consciousness and nothing else, does not really live – say the great wise men of all times.