PYTHAGORAS AKADEMIE |
PYTHAGORAS AKADEMIE |
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE |
Faculties: Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts |
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. | .Deutsche Übersetzung in Arbeit |
PART II | |||||||||||||||||||||||||||||||||||||
THE PROCESS OF CREATING MUSIC | |||||||||||||||||||||||||||||||||||||
The Classical Scope of Music |
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In conventional music analysis, the systematic method of inner creativity was removed from the view of the music student, by calling it “revelation,” in complete disregard of the actual meaning of “revelation”: to reveal, to disclose to everyone. |
Music Beyond the Musical Sound-Space... |
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The conventional, technocratic study of instruments, the study of music theory, the study of composing, and the study of conducting therefore are in no way related to the reality of a composition. |
Original Classical Music |
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To the classical composer, his innate ability of inner hearing is also his natural starting point for writing down the score. |
The Playful Mastery over the Inner-Human Forces |
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This inner hearing is of an elementary spatial nature much more elementary than spatial vision; at the same time this spatial hearing depends on the ears as little as, during dreaming, our sight depends on the eyes. |
Music as a Force of Nourishment |
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Today, the meaning of “spatial” is generally associated with “what can be seen,” i.e. with the limited space. However, by virtue of the mechanics of experience, space can be experienced far more dramatically in the field of the inner hearing, and therefore an adequate definition, in common terms of today, of the phenomenon of spatial experience, as the composer knows it, is required. |
Conventional Technology |
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From the viewpoint of the classical composer, the word most suitable to capture the nature of “space,” associated with his inner hearing, is “dimension.” And when a composition unfolds within the musical creator, it seems to him as if he rushes through worlds striding from one dimension to another. |
New Discoveries |
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For the great classical composers from Bach, Haendel, Haydn, Mozart, Beethoven, Schubert and Schumann, to Wagner and Brahms, it was only natural to observe as uninvolved witnesses the dynamic unfoldment of a composition within their mind. While hearing music, this inner impression is only natural, and therefore the musical creator wants to bring it about within the listener, too. |
The Field of Human Cognition |
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