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• Fundamentals
  •  Introduction to the
     University of the Future
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     University Giessen, Germany
  •  Nature’s Laws of Harmony
     in the Microcosm of Music
  •  Music and Brain
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  •  Integration of Sciences & Arts
  •  Ouverture
  •  1. Astronomy of Mind
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  •  3. The Objectives
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In the following, you will see two small extracts from the 330 page comprehensive study guide for this music faculty of the future.

The first extract shows the general information on content from which you can determine the topic of the pre-study course and the three main parts of the course as well as its 27 subordinated areas of study.
The second extract shows, as a detailed example, the topic of the 12th seminar in the seminar series 7.3.1.19.00 common eigenfunction of the upper-wave mechanics of the idea, of the sound and of the tone in the musical energy fields – universal synthesis of the upper-wave mechanics of the idea, of the sound and of the tone in the musical creative process:

• in the musical harmony sphere
• in the musical sequence sphere
• in the musical motif sphere
• in the musical tone sphere
• in the acoustic sphere

This seminar series is the 19^th of the total of 26 seminar series from the area of study 7.3.1.00.00 “Music evolution in the field of unity”, which belongs to the third part of the main course with the topic “Study of the laws of music in the field of unity”, which itself covers a total of 7 areas of study.

Prof. Dr. Rudolf Haase

renowned author,
founder of the Hans Kayser Institute for Fundamental Harmonical Research at the UNIVERSITY FOR MUSIC & PERFORMING ARTS in Vienna – the most eminent music university in the world

In a letter to Peter Hübner:

„For many years I have been playing your composition ‘The Song of Life’ to my students, a significant example of that, and how harmonical fundamentals derived by nature can be used as a basis for composition today.

My ‘Fundamental Harmonical Research’ is part of the music therapy course and of the curriculum in 5 departments (faculties at the University of Music in Vienna, which with around 3000 students and 400 lecturers, is the largest in the world).

I am particularly interested in your ‘Music and Health’ project . . . actually the objective of my career at the University of Music in Vienna focused on providing a scientific basis for the music therapy education introduced in Vienna . . .

You will now have a better understanding of why I am interested in your project: the possibility of a co-operation with my Institute exists. In any event, I can only provide encouragement for your project and would be delighted to see it supported from as many angles as possible.

Given my 25 years experience, I can really encourage you to realise similar efforts . . . in your planned music faculty and would be happy to provide any advice in this respect.“

Prof. Dr. Herzl Shmueli

CHAIRMAN
FACULTY of MUSICOLOGY at the UNIVERSITY of TEL AVIV

In a letter to Peter Hübner:

„I have studied your wide range of research with great interest and appreciation.

I am particularly interested in the continuing developments of Micro Music Laboratories from which you are creating a scientific basis for inter-disciplinary music research and which extend to all areas of music and various sciences.
I am pleased that the areas of emphasis are in music and medicine, music and psychology and music and education.

When I think about your unique musical career and achievements, I am convinced that you are on the verge of raising the understanding of music and of the history of music onto a new level.

Your compositions and scientific musical work ‘Natural Music Creation’ and ‘Natural Music Hearing’ and also your study guide of a music faculty of the future particularly impress me.
They are unprecedented and open up new dimensions in creating a musical training, which could be pioneering for a revival and expansion of the science of music.

It would be a major coup for the University of Tel Aviv, if, despite your many and varied activities as a composer, author and researcher, you could think about creating a musical training course as a guest professor at our university in the field of interdisciplinary studies.“

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