Hav­ing reached the ab­so­lu­te mu­si­cal force-field of the har­mony, we real­ized that the ac­tual re­al­ity of mu­sic exists be­yond space and time.
And from this new stand­point we found the rela­tive mu­si­cal proc­ess of evo­lu­tion in space and time to be a more or less exact, yet lim­ited re­flec­tion of this uni­ver­sal mu­si­cal-dy­namic re­al­ity.

And as we be­come crea­tive out of this state of pure self-aware­ness in a natu­ral and spon­ta­ne­ous man­ner, and as our crea­tive po­ten­tial ex­pands in a free flow of thought from the ab­so­lu­te mu­si­cal level of the har­mony to the rela­tive spaces of the se­quences, mo­tifs, and tones, then we carry in a very natu­ral man­ner the ab­so­lu­te mean­ing, which we found in the har­mony, like sparks of an im­meas­ur­able glow into the rela­tive world of mu­sic.

We are sure: we com­pose.

It is these sparks which then safely guide the lis­tener, who still stands at the be­gin­ning of his rela­tive mu­si­cal proc­ess of know­ing and who strives for the knowl­edge of higher truth, through the rela­tive mu­si­cal force-fields of the mu­si­cal sound-space, of the mo­tifs, and of the se­quences, and into the ab­so­lu­te mu­si­cal world of the har­mony, and which sys­tem­ati­cally put him into the po­si­tion of a mu­si­cal crea­tor.

Thus, as mu­si­cal crea­tors, we very natu­rally deduce from the mean­ing of mu­sic with­out space and time, to the form of mu­sic within space and time, and we know mean­ing and form one af­ter the other – i.e. sepa­rate from each other in time.

With re­spect to the mu­sic lis­tener, how­ever, the se­quence is re­versed.