Af­ter hav­ing ad­vanced into the in­fi­nite force-field of the har­mony by per­ceiv­ing the ab­so­lu­te sound-sub­stance, the lis­tener rec­og­nizes this ab­so­lu­te mu­si­cal world as not at all bound to the rela­tive mu­si­cal proc­ess.
On the other hand, he iden­ti­fies the rela­tive mu­si­cal proc­ess as be­ing bound to the ab­so­lu­te force-field of the har­mony.

At the same time, how­ever, he sees him­self free from the outer lim­ited mu­si­cal sphere of ex­peri­ence in the rela­tive field of mu­sic.

This cos­mic free­dom the crea­tive mu­sic lis­tener pre­serves through his continu­ous, clear per­cep­tion of the ab­so­lu­te sound-sub­stance.
And in his tools of cog­ni­tion – on the level of his pure self-aware­ness, in the field of his in­tel­lect, in feel­ing and un­der­stand­ing, in the sound-sub­stance of his mind, in his sense of hear­ing, and more­over, even in his neu­ro­physi­ol­ogy – he sus­tains this per­fect per­cep­tion in a six­fold man­ner.